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Review: Melissa Etheridge kicks off 'Medicine Show' tour in Bonita with passion, fire and lust
March 30, 2019 by User 0 Comments

Review: Melissa Etheridge kicks off 'Medicine Show' tour in Bonita with passion, fire and lust

via News Press

Melissa Etheridge strolled onstage to a rock star’s reception: A sold-out Southwest Florida Event Center packed with cheering, whistling, deliriously rowdy fans.

Etheridge smiled as she strapped on the first of many, many guitars Friday night.

“Aw, you guys came for some music tonight!” she said to her adoring public. “Yes, you did. We’re starting where we left off!”

They love Etheridge at the Bonita Springs venue. She played there last year, and that show sold out, too. Now she was back again, kicking off her new “The Medicine Show” tour with the first of two concerts at Southwest Florida Event Center. She’ll return Saturday night for another, nearly sold-out show.


And Etheridge certainly didn’t disappoint. Friday’s tour opener delivered just what you’d expect: Two hours of earnest, emotion-packed folk-rock about love, lust, yearning, passion — and did I mention lust?

If Etheridge is anything, she’s a woman of fiery, burning passion. And those themes — fire, heat, burning — come up often in her songs. As in the fire and heat that inflames the heart and ... well, other places too.


That fire was obvious on lusty Etheridge songs such as “I Want to Come Over” — including a brief detour into Bruce Springsteen’s similarly yearning “I’m On Fire” — “Come to My Window,” “Bring Me Some Water” and especially the funky, rollicking encore “Like the Way I Do.”

Most of those songs date back to Etheridge’s heyday in the late 80s and early 90s, a time when she said she was in her 20s and going wild with love and lust.

“I was on fire,” she said with a wicked grin. “And it felt GOOD.”

So did Etheridge’s concert Friday night. Her voice was in fine form — that famously gritty, raspy-raw howl that could probably strip the paint off the walls (and I mean that in a good way) — and her band provided solid, tasteful backing on a varied and satisfying setlist.

The night included the expected hits (including Etheridge’s only Top 10 single, “I’m the Only One,” a song the audience pretty much took over singing); one song from new album “The Medicine Show” (the impressive “Wild and Lonely”); and a lot of deep cuts, including the hard-charging “Nervous” and the rarely played, absolutely haunting “Into the Dark.”

“I’m doing ALL the songs for you tonight,” Etheridge said, dressed in a denim jacket and black leather pants. “You deserve it!”

Highlights included the achingly intimate, hushed power of “Precious Things”; the bouncy, hummable pop of “Lucky”;  and especially “Silent Legacy” — a favorite of Southwest Florida Event Center co-owner Jennifer Shanahan, a longtime Etheridge fan who’s the main reason the folk-rocker came to Bonita Springs in the first place.

“Some of you know, the owners of this place are really, really cool,” Etheridge said in her introduction to "Silent Legacy." “Jennifer requested this song.”

It’s easy to see why Shanahan loves the song so much. It’s one Etheridge’s very best, an anthem of desire and empowerment that takes on sexuality and repression head-on. “You are digging for the answers, until your fingers bleed,” Etheridge sang. “To satisfy the hunger, to satiate the need.”

The song started quietly, hushed and reserved. But then it kept building and building, growing in power and fury, almost unbearable in its intensity until finally — finally — it ended with a cathartic, releasing yowl of liberation. And it felt so, so good (although, admittedly, it could have been even more cathartic. Etheridge cut that final yowl frustratingly short. Perhaps she’s saving her voice for the rest of the tour?).

Sure, you could quibble about the song selection Friday. I would’ve loved to hear “You Can Sleep While I Drive” and “Chrome Plated Heart,” but I’m sure her more intense fans — and there were a lot of them there — relished the chance to hear lesser-performed and admittedly awesome songs like “Precious Things.”

Etheridge wrapped things up with that extended jam on the raucous, grooving “Like the Way I Do” — including putting down her guitar to join her drummer for a pulverizing tandem drum solo — plus that audience sing-along to “I’m the Only One” and even a gleeful selfie-style Twitter video with the audience.

It was a night of raw, heart-on-your-sleeve folk-rock full of love, lust and passion.

“Yes,” Etheridge said to her fans early in the show. “Tonight the medicine is LOVE. Love in all forms, shapes and sizes.”

Love in her 20s, she admitted, was much different than love now that she’s in her 50s. And that’s a good thing — for both Etheridge and the fans of her music.

“It just keeps getting better and better!” Etheridge said and grinned. “That’s for sure!”

Keep those fires burning, Melissa.  And keep those songs coming, too.

Connect with this reporter: Charles Runnells (Facebook), @charlesrunnells (Twitter), @crunnells1 (Instagram)




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